101. 科迈 一个镶嵌的铁碟明治时代,19世纪晚期 高清作品[67%]

An inlaid-iron dishMeiji era , late 19th century

图片文件尺寸 : 4173 x 4118px

KOMAI COMPANY:An inlaid-iron dish
Meiji era (1868-1912), late 19th century
Circular and set on three low bracket feet, decorated in gold and silver overlays with a temple and shrine complex, a village, and sailing vessels in the distance before Mount Fuji, all framed by a writhing dragon and phoenix in flight on trailing ivy, scattered cherry blossoms, and clouds, the rim with chrysanthemum florets, signed in gilt in a rectangular reserve Nihon Kyoto no ju Komai sei below a dragonfly mark
7 3/8in (18.7cm) diameter

科迈 一个镶嵌的铁碟明治时代,19世纪晚期

102. 肯·普莱斯 热浪投资组合 高清作品[67%]

Heat Wave Portfolio

图片文件尺寸 : 4895 x 4002px

Ken Price:Heat Wave Portfolio, 1995
The complete portfolio, comprising 15 screenprints in colors on Arches paper, 4 prints signed in pencil, dated and numbered 79/170, each with the blindstamps of the artist and the publisher, Black Sparrow Graphic Arts, Santa Rosa, printed by T.J. Owens, Healdsburg, with full margins, loose (as issued), accompanied by a bound book of Charles Bukowski\'s poetry and CD, signed again in black ink and numbered in red ink 79 on the colophon, contained in the original cloth-covered book with screenprinted cover and Plexiglas slip case, all contained in the original cardboard box.
each sheet 14 x 11in (35.6 x 27.9cm)
portfolio 15 x 12 5/8 x 1 1/4in (38.1 x 32.1 x 3.2cm)
box 17 1/4 x 14 1/2 x 4 1/4in (43.8 x 36.8 x 10.8cm)

肯·普莱斯 热浪投资组合

103. 雅各布·劳伦斯。由于黑人和白人工人之间的对立,整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。1940-41 高清作品[67%]

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 1940-41

雅各布·劳伦斯。由于黑人和白人工人之间的对立,整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。194041-

104. 山姆·吉列姆 格子木架 高清作品[67%]

Lattice

图片文件尺寸 : 5287 x 6038px

Sam Gilliam:Lattice, 1982
Monotype on irregular shaped handmade paper, signed in pencil, titled, dated and annotated \'I\', and with the inkstamp of the printer, Vermillion Editions Ltd., Minneapolis, Minnesota, all on the verso, the full sheet, framed.
sheet 32 x 44 1/2 x 1/8in (81.2 x 113 x .31cm)

山姆·吉列姆 格子木架

105. 基思·哈林 拜耳套房6 高清作品[67%]

The Bayer Suite 6

图片文件尺寸 : 4277 x 4461px

Keith Haring:The Bayer Suite
The complete set of six offset lithographs in colours, 1982, on thin wove paper, from the unsigned edition of 70, published by Bayer AG on the occasion of the release of the medication Sali-Adalat, the full sheets, all with the palest of time staining, in very good condition, within their original black frames with the Keith Haring sticker on the backboard

Sheet 299 × 237mm. (11 4/5 x 9 3/8in.) (6)

基思·哈林 拜耳套房6

106. 吉诺·博卡西尔(1901-1952) 帕格利里语 高清作品[67%]

PAGLIERI

图片文件尺寸 : 4308 x 5053px

GINO BOCCASILE (1901-1952):PAGLIERI
lithographic poster in colours, 1949, cond. A, printed by Zanini Cellerino, Alessandria
and; the censored 1950 version and a used, uncensored version, for the Hotel Excelsior, of the same size. all 3 are framed. (3)
40 x 27ins. (100 x 70cm.)

吉诺·博卡西尔(1901-1952) 帕格利里语

107. 卡雷尔.阿佩尔 猫的投资组合 高清作品[67%]

Cats Portfolio

图片文件尺寸 : 3962 x 6005px

Karel Appel:Cats Portfolio (17 works + catalog), 1979
The complete portfolio comprising 17 lithographs in colors on Japan paper, each signed in pencil and numbered XVII/LXV (aside from the Arabic edition of 125 and 15 artist\'s proofs), published by London Arts, Inc., Detroit, printed by Arts Litho-Paris, each with full margins, along with artist\'s catalog, all housed in original silver linen-covered box with a screenprinted cover. (17 works + catalog)
each 22 1/4 x 30 1/4in (56.5 x 76.8cm)
each sheet 24 5/8 x 32 1/4in (62.5 x 81.9cm)

卡雷尔.阿佩尔 猫的投资组合

108. 埃利奥特,丹尼尔·吉拉德。1835-1915. 猫科或猫科的专著。[伦敦]:作者为订户出版,[1878]–1883。 高清作品[66%]

A Monograph of the Felidae or Family of the Cats.  [London]: Published for the Subscribers by the author, [1878]–1883.

图片文件尺寸 : 5062 x 5372px

ELLIOT, DANIEL GIRAUD. 1835-1915. :A Monograph of the Felidae or Family of the Cats. [London]: Published for the Subscribers by the author, [1878]–1883.
Folio (598 x 480 mm). 43 hand-colored plates. Contemporary green half morocco and marbled boards, protected by a contemporary cloth sleeve, some light wear to spine ends, corners and extremities, front hinge cracked, cords firm, the sleeve with splitting and dust soiling, a few text leaves and 3 plates with short marginal tears and minor dampstaining, a few leaves becoming loose at end.
Provenance: Edward James Norris (1851-1927), President of the Educational Publishing Company, presented to him by the country of France, 29 September 1889, as an honorary \"Medaille d\'Or\" accompanied by a diploma granted to \"A Popular éducator, Massachusetts\" (available as photocopy).

FIRST EDITION OF THE DEFINITIVE WORK ON THE FAMILY OF CATS, in which Elliot describes and illustrates all the species of cats then known. \"Among the Families which constitute the Class Mammalia no more attractive one can be found than that of Felidae, as its members possess in the highest degree a beauty, both of form and coloring, most gratifying to the eye, and are also endowed with physical strength and weapons of offence not surpassed by any known creature now living upon the earth. The Family comprises not only the largest and most ferocious of the beasts of prey, but in which Elliot describes and illustrates all the species of cats then known also the graceful little animal that delights to make its home within man\'s abode\" (Introduction). Wolf worked from specimens provided by Elliot, who visited all the great museums and zoological societies on both sides of the Atlantic. See Nissen ZBI 1279; see Wood p 332.

埃利奥特,丹尼尔·吉拉德。1835-1915. 猫科或猫科的专著。[伦敦]:作者为订户出版,[1878]–1883。

109. 约翰·戴 欢迎鲜花 高清作品[66%]

Welcoming the Flowers

图片文件尺寸 : 3911 x 4569px

John Giorno:Welcoming the Flowers (18 works), 2007
The complete set of 18 screenprints in colors, some with metallic ink, on 2-ply museum board, each signed in pencil, dated and numbered PP 2/4 (each a printer\'s proof, aside from the edition of 70), each with the blindstamp and inkstamp verso of the publisher/printer, Durham Press, Durham, Pennsylvania, all contained in original custom wooden box with screened title on cover and archival interior, with title page and text poem panel, as issued, each the full sheet. (18 works)
each sheet 16 1/2 x 16 1/2in (41.91 x 41.91cm)

约翰·戴 欢迎鲜花

110. 芥川广志一世(1797-1858) 江户时期,1857年 高清作品[66%]

Six oban tate-e prints Edo period , 1857

图片文件尺寸 : 4273 x 5270px

UTAGAWA HIROSHIGE I (1797–1858):Six oban tate-e prints
Edo period (1615-1868), 1857
The six prints of the Shokoku Mutamagawa (Six Jewel Rivers of Various Provinces) series, each print named for a river in different provinces of Japan and containing calligraphy of a poem from classic anthologies of Japanese poetry, the rivers depicted being: Omi Noji (Noji in Omi Province); Yamashiro Ide (Ide in Yamashiro Province); Kii Koya (Koya in Kii Province); Mutsu Noda (Noda in Mutsu Province); Settsu Kinuta (Kinuta in Settsu Province); and Musashi Chofu (Chofu in Musashi Province); each signed Hiroshige ga, all published by Maruya Kyushiro (6)
13 1/2 x 9 3/8in (34.4 x 23.8cm) each approximately

芥川广志一世(1797-1858) 江户时期,1857年

inness all油画图片- 高清inness all绘画作品- 代表作全集 中艺名画下载


101. 科迈 一个镶嵌的铁碟明治时代,19世纪晚期 高清作品[67%]

An inlaid-iron dishMeiji era , late 19th century

图片文件尺寸 : 4173 x 4118px

KOMAI COMPANY:An inlaid-iron dish
Meiji era (1868-1912), late 19th century
Circular and set on three low bracket feet, decorated in gold and silver overlays with a temple and shrine complex, a village, and sailing vessels in the distance before Mount Fuji, all framed by a writhing dragon and phoenix in flight on trailing ivy, scattered cherry blossoms, and clouds, the rim with chrysanthemum florets, signed in gilt in a rectangular reserve Nihon Kyoto no ju Komai sei below a dragonfly mark
7 3/8in (18.7cm) diameter

科迈 一个镶嵌的铁碟明治时代,19世纪晚期

102. 肯·普莱斯 热浪投资组合 高清作品[67%]

Heat Wave Portfolio

图片文件尺寸 : 4895 x 4002px

Ken Price:Heat Wave Portfolio, 1995
The complete portfolio, comprising 15 screenprints in colors on Arches paper, 4 prints signed in pencil, dated and numbered 79/170, each with the blindstamps of the artist and the publisher, Black Sparrow Graphic Arts, Santa Rosa, printed by T.J. Owens, Healdsburg, with full margins, loose (as issued), accompanied by a bound book of Charles Bukowski\'s poetry and CD, signed again in black ink and numbered in red ink 79 on the colophon, contained in the original cloth-covered book with screenprinted cover and Plexiglas slip case, all contained in the original cardboard box.
each sheet 14 x 11in (35.6 x 27.9cm)
portfolio 15 x 12 5/8 x 1 1/4in (38.1 x 32.1 x 3.2cm)
box 17 1/4 x 14 1/2 x 4 1/4in (43.8 x 36.8 x 10.8cm)

肯·普莱斯 热浪投资组合

103. 雅各布·劳伦斯。由于黑人和白人工人之间的对立,整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。1940-41 高清作品[67%]

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 1940-41

雅各布·劳伦斯。由于黑人和白人工人之间的对立,整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。194041-

104. 山姆·吉列姆 格子木架 高清作品[67%]

Lattice

图片文件尺寸 : 5287 x 6038px

Sam Gilliam:Lattice, 1982
Monotype on irregular shaped handmade paper, signed in pencil, titled, dated and annotated \'I\', and with the inkstamp of the printer, Vermillion Editions Ltd., Minneapolis, Minnesota, all on the verso, the full sheet, framed.
sheet 32 x 44 1/2 x 1/8in (81.2 x 113 x .31cm)

山姆·吉列姆 格子木架

105. 基思·哈林 拜耳套房6 高清作品[67%]

The Bayer Suite 6

图片文件尺寸 : 4277 x 4461px

Keith Haring:The Bayer Suite
The complete set of six offset lithographs in colours, 1982, on thin wove paper, from the unsigned edition of 70, published by Bayer AG on the occasion of the release of the medication Sali-Adalat, the full sheets, all with the palest of time staining, in very good condition, within their original black frames with the Keith Haring sticker on the backboard

Sheet 299 × 237mm. (11 4/5 x 9 3/8in.) (6)

基思·哈林 拜耳套房6

106. 吉诺·博卡西尔(1901-1952) 帕格利里语 高清作品[67%]

PAGLIERI

图片文件尺寸 : 4308 x 5053px

GINO BOCCASILE (1901-1952):PAGLIERI
lithographic poster in colours, 1949, cond. A, printed by Zanini Cellerino, Alessandria
and; the censored 1950 version and a used, uncensored version, for the Hotel Excelsior, of the same size. all 3 are framed. (3)
40 x 27ins. (100 x 70cm.)

吉诺·博卡西尔(1901-1952) 帕格利里语

107. 卡雷尔.阿佩尔 猫的投资组合 高清作品[67%]

Cats Portfolio

图片文件尺寸 : 3962 x 6005px

Karel Appel:Cats Portfolio (17 works + catalog), 1979
The complete portfolio comprising 17 lithographs in colors on Japan paper, each signed in pencil and numbered XVII/LXV (aside from the Arabic edition of 125 and 15 artist\'s proofs), published by London Arts, Inc., Detroit, printed by Arts Litho-Paris, each with full margins, along with artist\'s catalog, all housed in original silver linen-covered box with a screenprinted cover. (17 works + catalog)
each 22 1/4 x 30 1/4in (56.5 x 76.8cm)
each sheet 24 5/8 x 32 1/4in (62.5 x 81.9cm)

卡雷尔.阿佩尔 猫的投资组合

108. 埃利奥特,丹尼尔·吉拉德。1835-1915. 猫科或猫科的专著。[伦敦]:作者为订户出版,[1878]–1883。 高清作品[66%]

A Monograph of the Felidae or Family of the Cats.  [London]: Published for the Subscribers by the author, [1878]–1883.

图片文件尺寸 : 5062 x 5372px

ELLIOT, DANIEL GIRAUD. 1835-1915. :A Monograph of the Felidae or Family of the Cats. [London]: Published for the Subscribers by the author, [1878]–1883.
Folio (598 x 480 mm). 43 hand-colored plates. Contemporary green half morocco and marbled boards, protected by a contemporary cloth sleeve, some light wear to spine ends, corners and extremities, front hinge cracked, cords firm, the sleeve with splitting and dust soiling, a few text leaves and 3 plates with short marginal tears and minor dampstaining, a few leaves becoming loose at end.
Provenance: Edward James Norris (1851-1927), President of the Educational Publishing Company, presented to him by the country of France, 29 September 1889, as an honorary \"Medaille d\'Or\" accompanied by a diploma granted to \"A Popular éducator, Massachusetts\" (available as photocopy).

FIRST EDITION OF THE DEFINITIVE WORK ON THE FAMILY OF CATS, in which Elliot describes and illustrates all the species of cats then known. \"Among the Families which constitute the Class Mammalia no more attractive one can be found than that of Felidae, as its members possess in the highest degree a beauty, both of form and coloring, most gratifying to the eye, and are also endowed with physical strength and weapons of offence not surpassed by any known creature now living upon the earth. The Family comprises not only the largest and most ferocious of the beasts of prey, but in which Elliot describes and illustrates all the species of cats then known also the graceful little animal that delights to make its home within man\'s abode\" (Introduction). Wolf worked from specimens provided by Elliot, who visited all the great museums and zoological societies on both sides of the Atlantic. See Nissen ZBI 1279; see Wood p 332.

埃利奥特,丹尼尔·吉拉德。1835-1915. 猫科或猫科的专著。[伦敦]:作者为订户出版,[1878]–1883。

109. 约翰·戴 欢迎鲜花 高清作品[66%]

Welcoming the Flowers

图片文件尺寸 : 3911 x 4569px

John Giorno:Welcoming the Flowers (18 works), 2007
The complete set of 18 screenprints in colors, some with metallic ink, on 2-ply museum board, each signed in pencil, dated and numbered PP 2/4 (each a printer\'s proof, aside from the edition of 70), each with the blindstamp and inkstamp verso of the publisher/printer, Durham Press, Durham, Pennsylvania, all contained in original custom wooden box with screened title on cover and archival interior, with title page and text poem panel, as issued, each the full sheet. (18 works)
each sheet 16 1/2 x 16 1/2in (41.91 x 41.91cm)

约翰·戴 欢迎鲜花

110. 芥川广志一世(1797-1858) 江户时期,1857年 高清作品[66%]

Six oban tate-e prints Edo period , 1857

图片文件尺寸 : 4273 x 5270px

UTAGAWA HIROSHIGE I (1797–1858):Six oban tate-e prints
Edo period (1615-1868), 1857
The six prints of the Shokoku Mutamagawa (Six Jewel Rivers of Various Provinces) series, each print named for a river in different provinces of Japan and containing calligraphy of a poem from classic anthologies of Japanese poetry, the rivers depicted being: Omi Noji (Noji in Omi Province); Yamashiro Ide (Ide in Yamashiro Province); Kii Koya (Koya in Kii Province); Mutsu Noda (Noda in Mutsu Province); Settsu Kinuta (Kinuta in Settsu Province); and Musashi Chofu (Chofu in Musashi Province); each signed Hiroshige ga, all published by Maruya Kyushiro (6)
13 1/2 x 9 3/8in (34.4 x 23.8cm) each approximately

芥川广志一世(1797-1858) 江户时期,1857年