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MYOCHIN IEHISA (ACTIVE 18th CENTURY):A suji kabuto and menpo
Edo period (1615-1868), 18th century
The russet-iron helmet constructed of 16 plates riveted together, the crown mounted with a three-stage gilt-copper and shakudo tehen kanamono, the front adorned with a lacquered-wood maedate formed as a long-eared demon, the helmet bowl fitted with a five-lave solid shikoro lacquered black and laced in green and orange sugake style, the fukigaeshi applied with pebbled leather highlighted with gold lacquer and applied with gilt-copper plum-floret family crests; the russet-iron menpo with a hinged nose plate and deep wrinkles on the cheeks, the interior lacquered red, fitted with a four-lame yodarekake laced to match the shikoro
9 7/8in (25.1cm) wide (across the helmet bowl)

肌球蛋白（活跃的18世纪） 18世纪，一个歌舞伎和门波江户时期

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Gottardo Fidele Ponziano Piazzoni: Clear Sky Over a Farm; Ranch Canyon; Turning Hills (a group of three)
Farm unsigned, Ranch signed and dated \'GPIAZZONI \'17\' (lower right) and titled in the margin in a later hand (center left); Hills signed and dated \'GPIAZZONI \'12\' (lower right), also signed, inscribed and dated \'GFP. Piazzoni / Mill- Valley- \'12\' in the artist\'s hand and titled in a later hand (on the reverse)
each oil on board
sizes to 6 1/2 x 8 1/2in
each unframed
Farm undated, Ranch Painted in 1917; Hills Painted in 1912.

戈塔多·菲德尔·蓬齐亚诺·皮亚佐尼 农场上空晴空万里牧场峡谷Turning Hills尺寸为6 1/2 x 8 1/2英寸，每个无边框

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Gottardo Fidele Ponziano Piazzoni:Two trees, Mill Valley, Columbia, Sept. and Yellow and green hills (a group of three)
the first initialed and dated \'GP \'12\' (lower left) and signed, titled and dated (on the reverse), the second signed with conjoined initials and dated \'GPiazzoni \'27\' (lower left) and signed, titled and dated (on the reverse), the third signed and dated \'Piazzoni \'19\' (lower left)
each oil on board
each 6 1/4 x 8 1/2 in.
each framed 14 x 16 in.

戈塔多·菲德尔·蓬齐亚诺·皮亚佐尼 两棵树，9月，哥伦比亚米尔谷，黄色和绿色山丘，每棵6 1/4 x 8 1/2英寸。每个框架14 x 16英寸。

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Giovanni Battista Piranesi:Veduta di Campo Vaccino; Veduta del tempio di Bacco, or di S. Urbano, from Vedute di Roma (Wilton-Ely 148; 184, Hind 40; 48, Focillon 803; 753), c. 1750
A group of three etchings, two on laid paper, Hind\'s third (of 6) and fourth (of 5) states respectively, with the address and price, and with number 60 in lower right margin respectively, each with margins, together with Luigi Rossini (1790-1857) Veduta dell\'Interno del Pronao dei Portici d\'Ottavia oggi S. Angelo in Pescaria, etching on wove paper, with margins, each framed. (3)
each sheet approx. 20 x 30in (50.8 x 76.2cm)

乔凡尼·巴蒂斯塔·皮拉内西 Campo Vacino视图Veduta del tempio di Bacco或di S.Urbano，来自Vedute di Roma 3

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A GOLD AND BLACK LACQUER DOCUMENT BOX:Edo period (1615-1868) or Meiji era (1868-1912) mid/late 19th century
Of standard form with rounded corners and slightly domed lid of inrobuta (flush-fitting) type, the black lacquer ground decorated in gold, aokin, and silver, hiramaki-e and takamaki-e with shell details, the exterior with one set of three and another set of four overlapping poem cards, decorated with young warabi (ferns); a courtier\'s gissha (ox-drawn carriage) by a wall overgrown with yugao (\"Evening Face\" flowers), alluding to the chapter with that title in Genji monogatari (The Tale of Genji); butterflies; rafts with sheaves of rice passing under a bridge; a pine tree; and suzumushi (bell crickets) on grasses; the reverse of the lid with a branch of flowering prunus growing from behind a rustic fence; the interior of the box lined with silk brocade
With wood tomobako storage box
15 3/4 x 12 x 5in (40 x 30.5 x 12.7cm)

金黑漆文件盒 江户时代或明治时代19世纪中后期

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KANETANE (ACTIVE CIRCA 1467):A Mino tanto with mounts
Muromachi period (1333-1573), 15th century
Hirazukuri, iorimune forged in itame-hada with visible ji-nie, the narrow suguha tempered edge ending in a short turnback and a very small boshi, the omote side carved with suken and the ura side with goma-bashi, the machi-okuri tang with three holes (one plugged), indistinct file marks and signed Kanetane, 11in (27.9cm) long, with a one-piece silver habaki
The koshira-e comprising a black-lacquer saya and tsuka wrapped with same stained dark, the en-suite silver fittings all carved with chrysanthemums with dew drops, the gilt-metal menuki formed as crabs
With Tokubetsu Hozon Token certificate no. 1013969 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 28, 2020

卡尼坦（约1467年活跃） 带山的米诺坦陀罗摩町时期，15世纪

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Gerald Cassidy: Navajo Man, Navajo Women, Thoreau (New Mexico) and Navajo Girl with Lamb (Three Works)
the first initialed with the artist\'s sun device \'GC\' (lower right), titled and dated \'1924\' (lower left); the second initialed with the artist\'s device \'GC\' (lower right), titled (lower left); the third signed \'Gerald Cassidy\' (lower right), titled and dated \'-1925\' (lower left)
each pencil on paper
various sight up to 10 x 8in
various framed up to 13 x 11in
Drawn in 1924, circa early 1920s, and 1925, respectively.

杰拉尔德·卡西迪 纳瓦霍族男子、纳瓦霍族妇女、梭罗和纳瓦霍族女孩与羔羊的各种视力高达10 x 8英寸，各种框架高达13 x 11英寸

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BUONANNI, FILIPPO. 1638-1725.:Observationes circa Viventia, quae in rebus non Viventibus reperiuntur. Cum Micrographia curiosa. Rome: Dominicus Antonius Hercules, 1691.
8vo (215 x 157 mm). 69 plates (4 folding). Modern quarter morocco and marbled boards. Margins slightly trimmed, repaired tear to upper outside corner of title page, repair to margin of of n2, a few marginal annotations in ink, scattered browning and spotting.

FIRST EDITION. Bounanni, a Jesuit scholar and pupil of Athanasius Kircher, published this work based on his observations through a three-lens microscope of his own construction. His conclusions supported spontaneous generation of living matter, in contrast to those of his contemporary, Francesco Redi. An identical 2nd edition was published in 1699. Garrison-Morton-Norman 264; Krivatsy 1935; Nissen ZBI 752; Norman 374; Wellcome II, 198.

再见，菲利普。1638–1725. 关于Viventia的观察，这在Viventibus的案例中没有发现。用奇怪的显微照片。罗马：多米尼克斯·安东尼乌斯·赫拉克勒斯，1691年。

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Gerald Cassidy: Buffalo Dancers, San Ildefonso, Navajo Goats and Navajo Woman, Crown Point (sic) (Three Works)
the first signed, titled, dated with the artist\'s sun device \'Gerald Cassidy / -1922\' (lower edge); the second with the artist\'s sun device (lower right), titled and dated \'1916\' (lower left); the third signed with initials with the artist\'s sun device \'GC\' (lower right), titled and dated \'1924\' (lower left)
each pencil on paper
various sizes up to 8 x 5 1/2in
various framed up to 17 1/4 x 14 1/4in
Drawn in 1916, 1922 and 1924, respectively.

杰拉尔德·卡西迪 水牛舞者、圣伊尔德芬索、纳瓦霍山羊和纳瓦霍女人，皇冠点各种尺寸，最大8 x 5 1/2英寸，各种框架，最大17 1/4 x 14 1/4英寸

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Xavier Martinez: On Foot of Notre Dame de Paris; Au fête foraine (Lion de Belfort); and River View (a group of three)
Notre Dame signed with the artist\'s monogram \'XM\' (lower left), signed again and titled (on the reverse); Fête foraine signed with the artist\'s monogram \'XM\' (lower left) and titled (on the reverse); River View signed and dated \'J.T. Martinez / JTM / 900\' (on the reverse)
Notre Dame and River View oil on canvasboard; Fête foraine oil on board
9 x 11in; 3 3/4 x 5 3/4in; 6 x 8 1/2in, respectively
each unframed
Painted circa 1900.

泽维尔·马丁内斯 巴黎圣母院脚下金f孔河景9 x 11英寸3 3/4 x 5 3/4英寸6 x 8 1/2英寸，每个无边框