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CHINESE PAINTINGS: GODS, CELESTIALS IMMORTALS.:An album containing 58 original paintings, ink and color on paper, 353 x 293, 19th century. Contemporary vellum binding. Paintings generally clean, but mostly disbound, covers rubbed, spine split.

An interesting collection of paintings, each depicting a Daoist deity such as the Empress of Heaven (Tianhou), a figure from Chinese mythology such as the Dragon King of the East Sea (Donghai Longwang), a popular Buddhist deity such as the Big-bellied Buddha (Dadufo), or an important historical figure such as the physician Hua Tuo, and each leaf numbered on the upper right and inscribed on the upper left with the name of the figure; together with sixty-three slips of paper each with hand-writing in ink identifying the figures in Spanish.

中国画：神、天、仙。 一本包含58幅原画、纸上的墨水和色彩的画册，

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Louis Agassiz Fuertes:Five Depictions of Shore Birds and Ducks
four signed \'Louis Agassiz Fuertes\' (lower right), two dated \'1909\' (lower right), one unsigned and undated
three watercolors of ducks, two ink wash drawings of wading birds
sizes to 22 1/4 x 14 7/8 in. (56.5 x 37.8 cm)
two framed 28 x 20 3/4 x 1/2 in.

路易斯·阿加西·富尔特斯 五幅岸鸟和鸭子图片，尺寸为22 1/4 x 14 7/8英寸。两个框架28 x 20 3/4 x 1/2英寸。

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COMETS OF 1618.:GRASSER, JOHANN JACOB. 1579-1627. Christliches bedencken uber Gegenwertigen Cometen.... Basel: Johann Schroeter, 1618.
8vo (188 x 145 mm). Title with woodcut vignette, 11 additional woodcut plates. Early vellum.
WITH: EHINGER,ELIAS. 1573-1653. Von dem newen Cometa welcher den 1. Decemb. 1618 am Morgen vor vnd nach 6 Uhren zu Augspurg von vilen Personen gesehen worden. Augsburg: Johann Schultes, [1621].
8vo (195 x 155 mm). Title with woodcut vignette, woodcut tailpiece. Modern paperboards, manuscript title label to upper cover.

TWO RARE WORKS ON COMETS. Three visible comets appeared in 1618, and were the first to be observed by telescope. Grasser, a pastor, casts a religious eye on the phenomenon of comets, featuring woodcuts of comets and their potential destruction.

1618年的彗星。 Christliches Bedenckenüber Gegenwarten彗星……巴塞尔：约翰·施罗德，1618年。

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John Baldessari:Noses Ears Etc.: The Gemini Series: Two Faces, One With Nose and Military Ribbons; One With (Blue) Nose and Tie (Hurowitz 169), 2006
Screenprint in colors on Rives BFK and Lanaquarelle paper mounted to Sintra with Duramount archival adhesive, cut-out construction of three layers with hand-painted additions at profile edges, straight edges, signed in pencil, dated and numbered 25/45 (there were also 12 artist\'s proofs), published/printed by Gemini G.E.L., Los Angeles, contained in artist specified frame.
34 x 36 x 3/4in (86.4 x 91.4 x 1.9cm)
overall 34 3/4 x 36 3/4 x 3in (88.3 x 93.3 x 7.6cm)

约翰·巴尔代萨里 鼻子和耳朵等：双子系列：两张脸，一张带鼻子和军带有鼻子和领带的

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HOLBEIN, HANS, THE YOUNGER. 1497-1543.:Icones historiarum Veteris Testamenti. Lyon: J. Frellon, 1547.
Small 4to (150 x 100 mm). Text in Latin and French, 94 woodcuts after Holbein, 4 portraits of evangelists by another artist at back. 20th century vellum. Lacking colophon leaf, chipping to lower edge with paper repairs to first 5 leaves, not affecting text, light browning.

Fourth edition of this work, first published in 1538, with preface, postscript and verses by Gilles Corrozet, as well as a Latin preface by Nicolas Bourbon. The woodcuts were prepared by Hans Lutzelberger after drawings by Holbein, and were also used in three folio editions of the Bible published by Frellon. Adams B-1963; Bruent III, 252; Baudrier V, 209; Hollstein 14A, 100; Mortimer French 281; USTC 79186.

霍尔拜因，汉斯，年轻一点。1497-1543. Icones Historiarum Veteris Testamenti。里昂：J。弗雷隆，1547年。

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Follower of Francesco Giambattista da Ponte, called Francesco Bassano:Summer; Autumn; and Winter
three of a set, oil on panel
45.6 x 57.6cm (17 15/16 x 22 11/16in)., 46.2 x 57.6cm (18 3/16 x 22 11/16in) and 45.6 x 57.6cm (17 15/16 x 22 11/16in). (3)

弗朗西斯科·詹巴蒂斯塔·达·庞特的追随者，名叫弗朗西斯科·巴萨诺 夏天秋天冬季分别为45.6 x 57.6厘米、46.2 x 57.6毫米和45.6 x 5.76厘米。

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Follower of Francesco Giambattista da Ponte, called Francesco Bassano:Summer; Autumn; and Winter
three of a set, oil on panel
45.6 x 57.6cm (17 15/16 x 22 11/16in)., 46.2 x 57.6cm (18 3/16 x 22 11/16in) and 45.6 x 57.6cm (17 15/16 x 22 11/16in). (3)

弗朗西斯科·詹巴蒂斯塔·达·庞特的追随者，名叫弗朗西斯科·巴萨诺 夏天秋天冬季分别为45.6 x 57.6厘米、46.2 x 57.6毫米和45.6 x 5.76厘米。

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THREE KESA (BUDDHIST PRIEST\'S ROBES):Edo period (1615-1868) and Meiji (1868-1912) or Taisho (1912-1926) eras, 19th/20th century
The first, of a large peacock surrounded by multicolored clouds and peonies, above two dragons amidst waves and rocks, the panels of the kesa created through a woven metal thread that is sewn onto the surface of the textile, six floral motif square patches, the backing of purple silk with a geometric floral design; the second, of gold brocade with woven design of lion dogs, various floral motifs, and square patches of cream-colored silk with leaves and flowers, the backing of plain red fabric; the third, of orange panels with woven designs of dragons, dragon-fish, shells, coral, and leafy peonies, all in multiple colors, framed by blue fabric with a woven brown geometric design interspersed with large peonies and floral crests, the backing of white silk (3)
45 1/2 x 80 7/8in (115.6 x 205.4cm), the largest

三棵松 江户时代和明治或大正时代，19/20世纪

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Gerald Farm:The Pendleton, Looking West and Crackerjack (a group of three)
the first signed and dated \'G. Farm / © \'85\' (lower right), the second signed and dated \'G. Farm © \'81\' (lower right), the third signed and dated \'G. Farm © \'87\' (lower left), each titled on typed artist\'s labels (on the reverse)
each oil on Masonite
various sight sizes up to 18 x 20 1/2 in.
various framed sizes up to 22 x 24 in.

杰拉尔德农场 Pendleton、Looking West和Crackerjack的各种瞄准镜尺寸可达18 x 20 1/2英寸。各种框架尺寸，最大22 x 24英寸。

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BARTHOLIN, THOMAS. 1616-1680.:De Unicornu observationes novae. Amsterdam: Henricius Wetstenius, 1678.
16mo (135 x 75 mm). Woodcut device on title, engraved additional pictorial title by Romeyn de Hooghe, one engraved folding plate, 23 engraved illustrations (most full-page) in the text. Early vellum, ink lettered on spine, three raised bands. Light soiling and spotting on covers, scattered browning, old ink and pencil markings on endpapers.
Provenance: Library of the Princes of Liechtenstein (bookplate).

Second, but first illustrated, edition of a treatise on the unicorn. Bartholin, Professor of Medicine at the University of Copenhagen, examines the history and mythology of the unicorn, together with a study of other one-horned animals such as the narwhal and rhinoceros. The illustrations include a fine frontispiece by Romeyn de Hooghe, and a copy of Durer\'s celebrated picture of the first rhinoceros imported into Europe. Krivatsy 822; Nissen ZBI 244; Wellcome II, 107.

托马斯，巴托林。1616-1680. 来自Unicornu观察Novae。阿姆斯特丹：Henricius Wetstenius，1678年。