1061. Gunter Damisch,当代艺术I 高清作品[82%]

DO-Gunter Damisch  - 现代艺术 I
图片文件像素:5115 x 4368 px

Gunter Damisch,当代艺术I-

Gunter Damisch * - Zeitgenössische Kunst I-

(Steyr 1958–2016 Vienna)
“Rotfeldweltwege/Doppelflämmerer”, signed and dated
G. Damisch 2000/2001 on the reverse as well as label with the title, oil on canvas, 160 x 140 cm, on metal stretcher

Provenance:
Galerie Ohse, Bremen
Private Collection, 德国y

Yes, in the sense that a painting actually always develops out of a proliferation and growth and evolutionary process and in the sense that every result cries out for a new one, so to speak, or generates something new. This always plays itself out in various ways. In principle, it has something to do with the phenomena that can be experienced in painting. This global issue results from the fact that I have found painting to be something that creates identity and meaning. You get to know yourself and express yourself and enter into a process where you are not only passively at the mercy of others, but can also achieve a lot on a creative level.
Gunter Damisch, in conversation with Friedhelm Mennekes

Ja, in diesem Sinne, daß sich ein Bild eigentlich immer aus einem Wuchern und Wachsen und evolutionären Prozeß heraus entwickelt und sozusagen jedes Ergebnis nach einem neuen schreit oder etwas Neues generiert. Das spielt sich immer in Variationen durch und hat grundsätzlich etwas mit Phänomenen zu tun, die in der Malerei erfahrbar sind. Dieses Weltthema resultiert daher, daß ich Malerei als etwas Identitäts- und Sinnstiftendes empfunden habe. Man lernt sich da kennen und ausdrücken und begibt sich in einen Prozeß, wo man nicht nur passiv ausgeliefert ist, sondern auch gestalterisch eine Menge bewirken kann.
Gunter Damisch aus einem Gespräch mit Friedhelm Mennekes

1063. 瓦西里·西特尼科夫 一组五张图纸/一组五张图纸: 高清作品[82%]

Un groupe de cinq dessins/ A group of five drawings:

图片文件尺寸 : 4333 x 4081px

Vasily Sitnikov:Un groupe de cinq dessins/ A group of five drawings:
diversement signé et inscrit

1.Horse
signed in Cyrillic, dated \"1939\" and inscribed \"exercise\" (lower left) signed in Cyrillic (upper right); various inscriptions and sketches (verso)
pencil on paper
29 x 39 cm
unframed

2. Self-portrait
signed in Cyrillic (lower left); dated \"1948 -11-28\" and inscribed \"self-portrait \" (lower left); with various sketches (verso)
pencil on paper
20 x 24 cm
unframed

3. Studies of faces
signed in Cyrillic and dated \"1939\" (middle); variously inscribed, with a study of a nude (verso)
pencil on paper
39 x 27.5 cm
unframed

4. Nephew Sashka
signed in in Cyrillic, dated \"1951-03-3\" and titled (lower right).
pencil on paper
42 x 30 cm

5. Double-sided drawing
signed in Cyrillic, dated \"1939\" and inscribed \"study exercise\" (lower left); variously inscribed in Cyrillic; with unidentified watercolour (verso)
pencil on paper
57 x 42 cm
(5)

瓦西里·西特尼科夫 一组五张图纸/一组五张图纸:

1065. 阿伯斯 方形致敬 高清作品[82%]

Hommage au carré

图片文件尺寸 : 4607 x 4988px

Josef Albers:Hommage au carré (4 works) (Danilowitz 160.1; 160.6; 160.2; 160.10), 1964-1965
4 screenprints in colors on J. Perrugot Arches Special MBM paper, each signed in pencil and numbered 52/125, published/printed by Editions Denise René/Atelier Arcay, Paris, each with full margins, each framed. (4 works)
each 11 x 11in (27.9 x 27.9cm)
each sheet 19 x 30in (48.3 x 76.2cm)
each sheet folded 19 x 15in (48.3 x 38.1cm)

阿伯斯 方形致敬

1066. 恩里科·巴吉 Trypticum投资组合 高清作品[82%]

Trypticum Portfolio

图片文件尺寸 : 4061 x 4118px

Enrico Baj:Trypticum Portfolio (3 works), 1973
Three aquatints in colors on fabric, each signed in ink and numbered 40/60 (there were also 3 artist\'s proofs), printed by John Charles, Milan, each backed with board and linen overmat as issued, housed in red cloth portfolio cover. (3 works)
20 3/8 x 15 5/8in (51.7 x 39.6cm)
sheet 25 x 19 3/4in (63.5 x 50.1cm)

恩里科·巴吉 Trypticum投资组合

1068. Terry Frost R.A.爵士。 Madron Woodcuts 高清作品[82%]

Madron Woodcuts

图片文件尺寸 : 4370 x 4113px

Sir Terry Frost R.A.:Madron Woodcuts (Kemp 177)
The complete set, 1998, comprising ten woodcuts printed in colours, on Somerset Satin, each signed and inscribed with the plate number and \'PP\' in pencil verso, printer\'s proofs aside from the numbered edition of 35, the first woodcut also dated in pencil verso, together with the colophon page inscribed \'PP\', printed by Stoneman Graphics, Cornwall, published by The Paragon Press, London, the full sheets, loose as issued, housed in the original orange solander box with a design by the artist screenprinted on the cover, each 840 x 345mm (33 x 13 1/2in)(and similar)(SH); overall 840 x 3450mm (33 x 135 3/4in)(10)(Folio)

Terry Frost R.A.爵士。 Madron Woodcuts

1069. 查尔斯·帕特里奇·亚当斯 下午,加利福尼亚州锡耶拉斯的定罪湖,18 x 14英寸。框架23 x 19英寸。 高清作品[82%]

Afternoon, Convict Lake in the Sierras, California 18 x 14 in. framed 23 x 19 in.

图片文件尺寸 : 5301 x 4245px

Charles Partridge Adams:Afternoon, Convict Lake in the Sierras, California
signed \'Charles Partridge Adams\' (lower left) and titled (on the stretcher bar)
oil on canvas
18 x 14 in.
framed 23 x 19 in.

查尔斯·帕特里奇·亚当斯 下午,加利福尼亚州锡耶拉斯的定罪湖,18 x 14英寸。框架23 x 19英寸。

1070. 萨尔瓦多·达利 陶罗马奇 高清作品[82%]

Tauromachie

图片文件尺寸 : 3972 x 5841px

Salvador Dalí:Tauromachie (Bull Fight II) (Field 68-12, Michel/Löpsinger 1220-1224), 1968
The complete set, comprising 5 lithographs with embossing in colors on wove paper, each signed in pencil and numbered 84/150 (two plates spuriously numbered, there was also an edition of 50 in Roman numerals), with margins.
each approx. 21 1/2 x 17in (54.6 x 43.2cm)
each sheet approx. 29 1/2 x 21 7/8in (74.9 x 55.6cm)

萨尔瓦多·达利 陶罗马奇

inness油画图片- 高清inness绘画作品- 代表作全集 中艺名画下载


1061. Gunter Damisch,当代艺术I 高清作品[82%]

DO-Gunter Damisch  - 现代艺术 I
图片文件像素:5115 x 4368 px

Gunter Damisch,当代艺术I-

Gunter Damisch * - Zeitgenössische Kunst I-

(Steyr 1958–2016 Vienna)
“Rotfeldweltwege/Doppelflämmerer”, signed and dated
G. Damisch 2000/2001 on the reverse as well as label with the title, oil on canvas, 160 x 140 cm, on metal stretcher

Provenance:
Galerie Ohse, Bremen
Private Collection, 德国y

Yes, in the sense that a painting actually always develops out of a proliferation and growth and evolutionary process and in the sense that every result cries out for a new one, so to speak, or generates something new. This always plays itself out in various ways. In principle, it has something to do with the phenomena that can be experienced in painting. This global issue results from the fact that I have found painting to be something that creates identity and meaning. You get to know yourself and express yourself and enter into a process where you are not only passively at the mercy of others, but can also achieve a lot on a creative level.
Gunter Damisch, in conversation with Friedhelm Mennekes

Ja, in diesem Sinne, daß sich ein Bild eigentlich immer aus einem Wuchern und Wachsen und evolutionären Prozeß heraus entwickelt und sozusagen jedes Ergebnis nach einem neuen schreit oder etwas Neues generiert. Das spielt sich immer in Variationen durch und hat grundsätzlich etwas mit Phänomenen zu tun, die in der Malerei erfahrbar sind. Dieses Weltthema resultiert daher, daß ich Malerei als etwas Identitäts- und Sinnstiftendes empfunden habe. Man lernt sich da kennen und ausdrücken und begibt sich in einen Prozeß, wo man nicht nur passiv ausgeliefert ist, sondern auch gestalterisch eine Menge bewirken kann.
Gunter Damisch aus einem Gespräch mit Friedhelm Mennekes

1063. 瓦西里·西特尼科夫 一组五张图纸/一组五张图纸: 高清作品[82%]

Un groupe de cinq dessins/ A group of five drawings:

图片文件尺寸 : 4333 x 4081px

Vasily Sitnikov:Un groupe de cinq dessins/ A group of five drawings:
diversement signé et inscrit

1.Horse
signed in Cyrillic, dated \"1939\" and inscribed \"exercise\" (lower left) signed in Cyrillic (upper right); various inscriptions and sketches (verso)
pencil on paper
29 x 39 cm
unframed

2. Self-portrait
signed in Cyrillic (lower left); dated \"1948 -11-28\" and inscribed \"self-portrait \" (lower left); with various sketches (verso)
pencil on paper
20 x 24 cm
unframed

3. Studies of faces
signed in Cyrillic and dated \"1939\" (middle); variously inscribed, with a study of a nude (verso)
pencil on paper
39 x 27.5 cm
unframed

4. Nephew Sashka
signed in in Cyrillic, dated \"1951-03-3\" and titled (lower right).
pencil on paper
42 x 30 cm

5. Double-sided drawing
signed in Cyrillic, dated \"1939\" and inscribed \"study exercise\" (lower left); variously inscribed in Cyrillic; with unidentified watercolour (verso)
pencil on paper
57 x 42 cm
(5)

瓦西里·西特尼科夫 一组五张图纸/一组五张图纸:

1065. 阿伯斯 方形致敬 高清作品[82%]

Hommage au carré

图片文件尺寸 : 4607 x 4988px

Josef Albers:Hommage au carré (4 works) (Danilowitz 160.1; 160.6; 160.2; 160.10), 1964-1965
4 screenprints in colors on J. Perrugot Arches Special MBM paper, each signed in pencil and numbered 52/125, published/printed by Editions Denise René/Atelier Arcay, Paris, each with full margins, each framed. (4 works)
each 11 x 11in (27.9 x 27.9cm)
each sheet 19 x 30in (48.3 x 76.2cm)
each sheet folded 19 x 15in (48.3 x 38.1cm)

阿伯斯 方形致敬

1066. 恩里科·巴吉 Trypticum投资组合 高清作品[82%]

Trypticum Portfolio

图片文件尺寸 : 4061 x 4118px

Enrico Baj:Trypticum Portfolio (3 works), 1973
Three aquatints in colors on fabric, each signed in ink and numbered 40/60 (there were also 3 artist\'s proofs), printed by John Charles, Milan, each backed with board and linen overmat as issued, housed in red cloth portfolio cover. (3 works)
20 3/8 x 15 5/8in (51.7 x 39.6cm)
sheet 25 x 19 3/4in (63.5 x 50.1cm)

恩里科·巴吉 Trypticum投资组合

1068. Terry Frost R.A.爵士。 Madron Woodcuts 高清作品[82%]

Madron Woodcuts

图片文件尺寸 : 4370 x 4113px

Sir Terry Frost R.A.:Madron Woodcuts (Kemp 177)
The complete set, 1998, comprising ten woodcuts printed in colours, on Somerset Satin, each signed and inscribed with the plate number and \'PP\' in pencil verso, printer\'s proofs aside from the numbered edition of 35, the first woodcut also dated in pencil verso, together with the colophon page inscribed \'PP\', printed by Stoneman Graphics, Cornwall, published by The Paragon Press, London, the full sheets, loose as issued, housed in the original orange solander box with a design by the artist screenprinted on the cover, each 840 x 345mm (33 x 13 1/2in)(and similar)(SH); overall 840 x 3450mm (33 x 135 3/4in)(10)(Folio)

Terry Frost R.A.爵士。 Madron Woodcuts

1069. 查尔斯·帕特里奇·亚当斯 下午,加利福尼亚州锡耶拉斯的定罪湖,18 x 14英寸。框架23 x 19英寸。 高清作品[82%]

Afternoon, Convict Lake in the Sierras, California 18 x 14 in. framed 23 x 19 in.

图片文件尺寸 : 5301 x 4245px

Charles Partridge Adams:Afternoon, Convict Lake in the Sierras, California
signed \'Charles Partridge Adams\' (lower left) and titled (on the stretcher bar)
oil on canvas
18 x 14 in.
framed 23 x 19 in.

查尔斯·帕特里奇·亚当斯 下午,加利福尼亚州锡耶拉斯的定罪湖,18 x 14英寸。框架23 x 19英寸。

1070. 萨尔瓦多·达利 陶罗马奇 高清作品[82%]

Tauromachie

图片文件尺寸 : 3972 x 5841px

Salvador Dalí:Tauromachie (Bull Fight II) (Field 68-12, Michel/Löpsinger 1220-1224), 1968
The complete set, comprising 5 lithographs with embossing in colors on wove paper, each signed in pencil and numbered 84/150 (two plates spuriously numbered, there was also an edition of 50 in Roman numerals), with margins.
each approx. 21 1/2 x 17in (54.6 x 43.2cm)
each sheet approx. 29 1/2 x 21 7/8in (74.9 x 55.6cm)

萨尔瓦多·达利 陶罗马奇