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SCHEUCHZER, JOHANN JACOB. 1672-1733.:Ouresiphoites Helveticus, sive, Itinera Alpina tria. London: 1708.
3 parts in 1 volume. 4to (220 x 174 mm). 3 engraved frontispieces (1 folding), 41 engraved plates (2 folding).
Rebacked contemporary paneled calf, old bookseller\'s advertisement applied to front past-down. Wear to covers, light chipping at some page corners, paper repairs to margins of first 8 leaves, with some restoration of text on title, scattered spotting and browning.

FIRST EDITION THUS, in three parts (the first of which had been previously published in 1702). Feller/Bonjour 509; Haller 1, 955; Lonchamp 2640; Nissen ZBI 3656.

乔汉·雅各布·谢切尔。1672-1733. 黑尾蛇，灰色，阿尔皮纳三线虫。伦敦：1708。

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Shafic Abboud: Untitled (Black White)
a set of five lithographs, two artist proofs and three editions
signed \"Abboud\" (lower right) and individually numbered 11/25, 4/25, 9/25
42 x 60cm, 60 x 42cm, 42 x 60 cm, 42 x 60cm, 42 x 60cm

Shafic Abboud 无标题42 x 60厘米，60 x 42厘米，42 x 60 cm，42 x 60cm，42 x 60cm

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WILKINS, JOHN. 1614-1672.:Mercury: or the Secret and Swift Messenger. London: Richard Baldwin, 1694.
8vo (159 x 100 mm). Engraved portrait frontispiece (on verso of advertising leaf), woodcut diagrams in text. 20th century quarter vellum and marbled boards, red morocco gilt lettering piece. Covers lightly soiled, small wormhole through first three leaves, margins closely trimmed, browning heavy in places, chipping to edges of A3, old ownership inscription on first leaf recto.

Second, posthumous edition of this work on cryptography and semiotics by the iconoclastic Wilkins. Toole Stott 732; Wing W2203.

约翰·威尔金斯。1614-1672. 水星：或是秘密和迅捷的信使。伦敦：理查德·鲍德温，1694年。

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ANONYMOUS (16TH CENTURY):A True Portrait of High Priest Chinzei Shoko
Muromachi period (1333-1573), 16th century
The painting in ink and colors on paper depicting an elderly man with a shaved head holding a Buddhist rosary and wearing a priest\'s robes with a kesa garment hanging from his left shoulder while seated on a dais, to his right three rolled-up sutra scrolls on top of a side table; above his head a calligraphy of twenty characters describing his achievements; of hanging scroll format now mounted in a frame
27 7/8 x 14in (70.8 x 35.6cm)

匿名（16世纪） 16世纪室町清泽昭子大祭司的真实肖像

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Salvador Dalí:La Divine Comédie, from Dante Alighieri, L\'Enfer; La Purgatoire; Le Paradis (Field pp. 189-200, Michler/Löpsinger 1039-1138), 1959-63
The complete portfolio, comprising 100 wood engravings in colors on Rives BFK paper, each signed in colored crayon (Inferno in red, Purgatory in purple, and Paradise in blue) and numbered 105/150 (aside from the total edition of 4765), lacking title, lacking text in French, lacking justification, published by Editions d\'Art les Heures Claires, Paris, with full margins, each loose (as issued), contained in three clamshell boxes and slipcases.
each sheet 13 x 10 3/8in (33 x 26.4cm)

萨尔瓦多·达利 神曲，但丁·阿利吉耶里著，地狱炼狱天堂

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Dmitry Krasnopevtsev:Un groupe de cinq oeuvres sur papier/ A group of five works on paper
chacune signée avec l\'initiale \'K\', les trois plus grandes œuvres datées \'65\'
plume et encre sur papier
7.7 x 10.8cm (3 1/16 x 4 1/4in).; 8.8 x 10.2cm (3 7/16 x 4in).; 18.2 x 12.8cm (7 3/16 x 5 1/16in).; 20 x 27.8cm (7 7/8 x 10 15/16in).; 19.2 x 28cm (7 9/16 x 11in).
(5)


each signed with initial \'K\', the three larger works dated \'65\'
pen and ink on paper

德米特里·克拉斯诺佩夫采夫 一组五张纸/一组五张纸

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Fine Hawk\'s Eye Quartz Carving Depicting a Galloping Horse by Luis Alberto Quispe Aparicio :Carved from a single large specimen of blue tiger\'s eye, known in the mineral trade as \"hawk\'s eye\" quartz from South Africa, the rich coloration and banding distinguishing the musculature and motion of the galloping horse with three legs in the air above the grassy turf. Raised on an octagonal-form base carved of a single large specimen of black obsidian. Measuring 14 x 6 x 11in (35.6 x 15.3 x 28cm)

路易斯·阿尔伯托·奎斯佩·阿普里西奥（Luis Alberto Quispe Aparicio）的鹰眼石英雕刻作品 无 题

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English School:A set of four views depicting Tarsus, Jerusalem, Damascus and Antioch
the view of Tarsus inscribed \'MEMORIALS/OF THE TRAVELS/OF/ST. PAUL\', each inscribed with title, three dated \'1834\' and Jerusalem dated \'1842\'
watercolour
each 17.7 x 12.3cm (6 15/16 x 4 13/16in).
together in one frame

英语学校 一套四幅图，描绘了塔苏斯、耶路撒冷、大马士革和安条克，每幅图17.7 x 12.3厘米，放在一个框架内

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Bernard Dunstan R.A., R.W.A., N.E.A.C., H.P.S.:Interior, Morning (Triptych)
each signed with initials \'BD\' (lower left); each titled and dated \'DIANA STANDING/(IN NIGHTDRESS)/92-94\'; \'INTERIOR, MIREPOIX/94\'; DIANA STANDING/(NUDE)/92-94\' (on canvas verso)
oil on three canvases
two 106.5 x 45.5cm (41 15/16 x 17 15/16in); the third 106.5 x 91cm (41 15/16 x 35 13/16in)

伯纳德·邓斯坦R.A.，R.W.A.，N.E.A.C.，H.P.S。 室内，晨二106.5 x 45.5cm第三个106.5 x 91厘米

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After Sonia Delaunay:Boîte-object, 1994
4 lithographs, two in colors, on Arches paper, each stamped-signed and numbered in pencil 528/600 (there were also 30 artist\'s proofs in Roman numerals), with the printed title and original drawing date on verso, published by Artcurial Diffusions for the Société Azygos/Anticip, printed by Art Estampe Machet-Cosson,Paris, with three pages of printed quotes by the artist, a biography of the artist, and the justification page, housed in the original blue linen covered clamshell portfolio box with metallic lettering.
Titles include: Music-Hall, Gaby, Madrid, 1919; Robe-toupie, Rio, 1922; Danse, rythme sans fin, 1923; and Composition à la robe-disque, 1925
each plate 11 1/4 x 8in (28.5 x 20.3cm)
each sheet 15 3/4 x 11 7/8in (40 x 30.1cm)

Sonia Delaunay之后 框-对象